The flux creates, the corporation permeates. In the trans-gender reality, art objects are reproductions of the iterations of the flux — a flux that uses the corporation as a zeitgeist to enmesh ideas, patterns, and emotions. With the rationalization of the electronic environment, the flux is superseding a point where it will be free from the corporation to consume immersions into the parameters of the delphic reality. Work of Meta-Art in the Age of Generative Reproduction contains 10 minimal flash engines (also refered to as “AI modules”) that enable the user to make ridiculous audio/visual compositions.

measuring chains, constructing realities
putting into place forms
a matrix of illusion and disillusion
a strange attracting force
so that a seduced reality will be able to spontaneously feed on it

Yamamoto Brown’s work investigates the nuances of surveilance cameras through the use of stopframe motion and close-ups which emphasize the Generative nature of digital media. Brown explores abstract and overwhelming scenery as motifs to describe the idea of hyper-real reality. Using irresistable loops, vectors, and allegorical images as patterns, Brown creates meditative environments which suggest the expansion of space…

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Courtesy of playdamage.org.